Coming in February 2025.

Expressions of Interest are invited.

Proof coins are the nation's story tellers. Proof coins are presentation pieces and were struck to the ultimate levels of quality. They define a mint, an era, or a year, like no other coin. They can also define an occasion and a monarch. And proof coins are excruciatingly rare.

This Proof Shilling is a Coin of Record and defines the operations of the Melbourne Mint in the year '1926' when the mint was commissioned by Australian Treasury to strike shillings for circulation.

To record its work for Treasury and in keeping with the traditions of the Royal Mint London, the mint struck a handful of Proof 1926 Shillings for posterity. Two are known in collector’s hands, one of which is this superb example.

Why wasn't the mintage larger? Surely collectors would have loved to get their hands on one!

Today's collectors can lay their hands on a Royal Australian Mint 2024 Proof Set with ease. In fact they can buy a box-load of them if they want.

The harsh reality for collectors in the early twentieth century was that, with very few exceptions, proofs minted in the George V era were NOT struck for the collector market.

• Proofs were struck to be held in archives. Their purpose to record the mint’s circulating coin achievements.

• Proofs were also struck to send to museums or public institutions, such as the Royal Mint London and British Museum.

• There were times when proofs were struck to put on display at public exhibitions. So, whilst denying collectors the opportunity of ever owning them, they could at the very least get to look at them. The Exhibitions were however few and far between.

Whatever the end destination of the Melbourne Mint proofs - archives, institutions or public exhibitions - the situation demanded the highest quality minting skills. And only a handful of proofs were ever struck.

In the striking of this 1926 Proof Shilling, the Melbourne Mint's intention was to create a single masterpiece. And there is not a doubt that the mint's ambitions were fulfilled.

To create this numismatic gem:

• The silver blanks were hand-picked and highly polished to produce a coin with a mirror shine and ice-smooth fields.

• The fields of this coin are fully brilliant and super-reflective

• The dies were hardened and wire-brushed to ensure the design was sharp.

• The dies were struck twice onto the blanks to create a well-defined, three-dimensional design.

• The rims encircling the coins were high, creating a picture frame effect, encasing the coin.

• The pristine nature of the striking is particularly evident in the denticles. They are crisp and uniformly spaced around the circumference of the coin.

This is a unique opportunity to acquire an important piece of Australia’s minting history.

Gold has been a symbol of status and wealth throughout the ages and is presented here in one of its most prestigious forms.

A limited mintage gold proof coin, one of two sighted at auction, formerly owned by revered collector, Philip Spalding.

And while Spalding is remembered for his love of Holey Dollars, he was a sophisticated collector on many levels, guided in his selections by Barrie Winsor.

This 1888 Proof Sovereign, featuring the Jubilee portrait of Queen Victoria, was one of his prized possessions.

The Melbourne Mint struck proof sovereigns, as Coins of Record, from 1874 to 1931, when Australia struck its last sovereign. During those fifty-eight years, five portraits appeared on our sovereigns, three of Queen Victoria (Young Head, Jubilee and Veiled Head), one of King Edward VII and two of King George V.

The Jubilee portrait was used during the years 1887 to 1893.

Proof sovereigns produced in the Jubilee era are popular with collectors. The reason is their scarcity. Coupled with the price at which they are offered.

There were two years in which the Melbourne Mint did not strike proof sovereigns (1891 and 1892) with the remaining years only known by two examples, presenting collectors with a tiny buying pool of perhaps twelve coins.

And that's not twelve of each year. That's twelve coins across the entire era 1887 to 1893.

But let's be clear on this one. The year that stands out in the Jubilee era is 1888.

1888 Proof Sovereign struck as a Coin of Record at the Melbourne Mint. An historic coin, featuring the Jubilee portrait of Queen Victoria.

$88,000

Only one other example has been sighted at public auction over the last century.

Flawless with brilliant mirror fields that bounce the light and project a wealth of design depth.

If there is a date to have in the Jubilee era, this is it ... '1888'! 

The magnetism of gold is as strong as it has ever been. Gold jewellery. Gold bullion. Gold coins. Gold is still to this day viewed as a storage of wealth and gold is vigorously traded and possessed.

When it comes to collecting vintage gold coins, collectors have two distinct options.

They can acquire coins that were struck for circulation: coins that were meant to be used. Or they can collect coins that were struck as Coins of Record to a proof or specimen finish.

The coin on offer is one such Coin of Record, an 1888 Proof Sovereign struck at the Melbourne Mint.

That proof coins were struck in the nineteenth century may surprise some readers. But it has to be said that the striking of proof coins in Australia is not a modern day phenomenon. Nor a product of the decimal era.

The nation’s mints were striking proofs of our pre-decimal coinage in the nineteenth and twentieth centuries and the intention was then, as it is today, to create limited mintage coins struck to the highest standards of quality.

Each option, circulating coinage or proof coinage, presents the buyer with a vastly different sized pool of specimens from which to choose.

General date (non-key date), average circulating gold sovereigns, are available in the thousands if not the tens of thousands. Once the collector sets parameters on quality and dates, the pool of specimens narrows and it is true that acquiring a key date gold coin that was struck for circulation, particularly one in premium quality, can be a journey in time that involves many months, if not years.

The task of acquiring gold proofs of our pre-decimal coinage is far more challenging. The pathway to proof coinage for buyers can involve many years, if not decades.

Rarity is the key word when discussing proof gold.

And it is a statement of fact that proof gold, irrespective of the sector, is extremely rare and buying opportunities will always be thin on the ground.

And the reasons?

• Proof gold coins were NOT struck every year.

• And of those dates that were struck as proofs, only one, or perhaps two up to a maximum of three made their way out into the collector market.

• Natural attrition has taken its toll on coins out of the original mintages with some of them filtering their way into circulation or being mishandled and thus having their quality marred. So suddenly one, two or three proofs becomes even less.

• Great coins tend to be held. The owner of the Madrid Collection held onto his gold proofs for more than twenty years. The Spalding family and collector Tom Hadley, of Quartermaster fame, held their proof coins for an even longer time-frame.

This 1888 Proof Sovereign is an elite coin and presents superb quality and extreme rarity. And an attractive price.

Hit the ENQUIRE NOW button to register your interest.

Coming in February 2025.

Expressions of Interest are invited.

When a coin becomes one of the nation’s storytellers it assumes a higher significance in the industry. And this 1918 Trial Shilling is one such storyteller.

The 1918 Trial Shilling is a product of a period of serious financial and economic turbulence that saw nations around the world abandon sterling silver as their currency standard.

The fluctuations particularly affected governments like Australia that were still producing their currency in sterling silver.

The Government's strategies for coping are well documented in historical records. It is also documented by way of Australia’s coinage. 

The Government planned to adopt a new silver coinage alloy and in 1918 began a testing period of striking coins with a reduced silver content. Consideration was given to a .625 alloy and one struck in .500 fine as taken up by the British during the precious metal crisis.

The 1918 Shilling

• The testing of a reduced silver alloy commenced in 1918 with the striking of this 1918 Shilling. Struck in .500 fine from the currency dies, the reverse die was punched in the field with two irregular stops on either side of the date.

The 1919 Shilling

• Australia’s rarest Commonwealth coin was created during this testing process, the 1919 Pattern Shilling. The coin was struck in a .625 fine and counter-stamped with two ‘S’s on both sides of the obverse and reverse fields so that it would be easily distinguished and to prevent it from accidentally going into circulation.

The 1920 Star Florin & 1920 Star Shilling

• The Australian Government pursued the testing of alternative alloys into 1920. Dies were ordered, the design to include a star above the date, to reflect a coin with a reduced silver content. To test the dies, seven trial 1920 florins were minted each bearing the distinctive star (Three are held in private hands). The testing continued with the striking of seven star shillings, three of which are privately held.

While the Government dithered about the impending debasement of its coinage, the years passed and precious metal prices settled.

While Australia was able to weather the storm concerning the silver crisis of 1920, the nation was not so fortunate in 1945 and 1946 when the price of silver was again booming. The year 1946 heralded in a new order for Australia. The nation's florins, shillings, sixpence and threepences were issued in a reduced silver quarternary alloy.

1918 Trial Shilling struck in .500 silver.

The only known example held by a private collector. Another example is held in the Museum of Victoria.

A. M. Le Souef Collection • Spink Auctions November 1981, lot 942 • Spink Auctions March 1988, lot 1152

$45,000

This proof penny first appeared on the market at auction in 2005.

The quality was unprecedented, both dealers and collectors alike declaring that they had never seen anything like it before.

The auction sale price smashed all records.

Historical letters confirm that the proofs of 1935 were struck from especially hardened blanks and were struck twice with fresh dies in the presses. The lack of bag marks is consistent with the coins being made effectively by hand.

As the photos reveal, the strike detail and the finish of this coin is unsurpassed by any other proofs out of the George V era.

New Zealand numismatist, Henry George Williams played a key role in persuading the Melbourne Mint to issue proof coins on a commercial basis in 1935.

Williams was captivated by the golden-eye appeal achieved by the Melbourne Mint with their proof coppers and ordered 125 pairs.

Williams sold the majority of pairs into the advanced collector markets in the U.K. and the U.S, the very reason why the coins are so scarce in the Australian market.

That Williams did not request the minting of any proof silver coins in 1935 reflected his personal preference and his insight into the market, that demand for the bronze coins far outweighed that for the silver.

Natural attrition has taken its toll on the original mintage.  And today, we would expect to sight an average Proof 1935 Penny on the open market, perhaps once every year.

The calibre of this piece is unprecedented. A collector will only get one opportunity to acquire a proof coin at this level of quality.

With on-line ordering and toll-free phone numbers, buying your favourite collector coin from the Royal Australian Mint has never been easier. Collectors in the nineteenth and twentieth century however were not afforded the same consideration from the operating mints.

The Sydney Mint opened in 1855 as a branch of the Royal Mint London and closed in 1926. Throughout its entire history, the mint did not strike proofs for collectors on a commercial basis. The Melbourne Mint, Australia’s second coining facility, opened in 1872. During its first forty-four years of operation, the mint did not strike coins for collectors on a commercial basis.

The Melbourne Mint’s first commercial foray for collectors occurred in 1916 when the mint especially created a presentation set to commemorate its inaugural striking of the Commonwealth’s silver coins.

Sadly, for collectors, the 1916 Presentation Set did not set a precedent for further coin issues.

Government policy dictated that minting resources be applied to the striking of circulating coins for Treasury, rather than pandering to the whims of collectors through the regular issuing of proofs.

Over the next thirty-eight years, from 1916 to 1953, the Melbourne Mint played ‘cat and mouse’ with collectors by releasing only another seven proof and/or specimen issues. The issues were ad hoc. The mintages inconsistent.

The years in which the collector issues occurred were 1916, 1927, 1934, 1935, 1937, 1938, 1939 and 1953. We refer to these eight issues as 'The Collector Coins of the Melbourne Mint, 1916 to 1953’.

They were pivotal in changing Australia's coin collecting landscape in the twentieth century, the pre-cursor to the series taken up by the Royal Australian Mint in 1966.

This colonial creation is a Coin of Record and, as the title suggests, presents a permanent currency record of a new design. The Veiled Head portrait was introduced in 1893 to reflect Queen Victoria's twilight years.

It is a coin that was created in the past to the highest minting standards, and that is valued and enjoyed in the present, to preserve and pass on to future generations

It is a Coin of Record, a record of history, in the truest sense.

For collectors, this colonial creation is also a celebration of the Melbourne Mint’s achievements in crafting perfection in gold.

The coin was struck by the Melbourne Mint to a proof finish and is luxurious, flawless with brilliant mirror fields that bounce the light and project a wealth of design depth. It is this gem frosted proof finish that has so captivated the American market.

And it is overwhelmingly rare, as one of two known.

The Melbourne Mint struck proof sovereigns, as Coins of Record, from 1874 to 1931, when Australia struck its last sovereign.

During those fifty-eight years, five portraits appeared on our sovereigns, three of Queen Victoria (Young Head, Jubilee and Veiled Head), one of King Edward VII and two of King George V.

The Veiled Head portrait was used during the years 1893 to 1901. The proof sovereigns produced in this era as Coins of Record are the most popular with collectors. The reason is their scarcity. Coupled with the price at which they are offered. They are world class rarities that are affordable with definite potential for price growth.

Most years are only known by two or three examples presenting collectors with a tiny buying pool of perhaps nineteen coins. And yet they are priced at $75,000, a comparable price to let's say a more readily available quality 1930 Penny.

But there is another, very important reason why this Veiled Head Proof Sovereign will come under scrutiny.

While all Veiled Head gold proofs are scarce, there is one date that stands out from the rest as being the most desirable. And the most sought after.

And that is the first year that it was introduced, 1893.

Collectors love the dawning of a new era, the first year that a particular design is released. And collectors love the closing of an era, the last year that a design is issued. With an overwhelming preference for the first!

1893 Proof Sovereign struck as a Coin of Record at the Melbourne Mint. An historic coin, struck to record a new portrait of Queen Victoria.

$75,000

Only one other example has been sighted over the last century.

Flawless with brilliant mirror fields that bounce the light and project a wealth of design depth.

It is this gem frosted proof finish that delights collectors and that has, in particular, captivated the American market.

The magnetism of gold is as strong as it has ever been. Gold jewellery. Gold bullion. Gold coins. Gold is still to this day viewed as a storage of wealth and gold is vigorously traded and possessed.

When it comes to collecting vintage gold coins, collectors have two distinct options.

They can acquire coins that were struck for circulation: coins that were meant to be used. Or they can collect coins that were struck as Coins of Record to a proof or specimen finish.

The coin on offer is one such Coin of Record, an 1893 Proof Sovereign struck at the Melbourne Mint.

That proof coins were struck in the nineteenth century may surprise some readers. But it has to be said that the striking of proof coins in Australia is not a modern day phenomenon. Nor a product of the decimal era.

The nation’s mints were striking proofs of our pre-decimal coinage in the nineteenth and twentieth centuries and the intention was then, as it is today, to create limited mintage coins struck to the highest standards of quality.

Each option, circulating coinage or proof coinage, presents the buyer with a vastly different sized pool of specimens from which to choose.

General date (non-key date), average circulating gold sovereigns, are available in the thousands if not the tens of thousands. Once the collector sets parameters on quality and dates, the pool of specimens narrows and it is true that acquiring a key date gold coin that was struck for circulation, particularly one in premium quality, can be a journey in time that involves many months, if not years.

The task of acquiring gold proofs of our pre-decimal coinage is far more challenging. The pathway to proof coinage for buyers can involve many years, if not decades.

Rarity is the key word when discussing proof gold.

And it is a statement of fact that proof gold, irrespective of the sector, is extremely rare and buying opportunities will always be thin on the ground.

And the reasons?

• Proof gold coins were NOT struck every year.

• And of those dates that were struck as proofs, only one, or perhaps two up to a maximum of three made their way out into the collector market.

• Natural attrition has taken its toll on coins out of the original mintages with some of them filtering their way into circulation or being mishandled and thus having their quality marred. So suddenly one, two or three proofs becomes even less.

• Great coins tend to be held. The owner of the Madrid Collection held onto his gold proofs for more than twenty years. The Spalding family and collector Tom Hadley, of Quartermaster fame, held their proof coins for an even longer time-frame.

This 1893 Proof Sovereign is an elite coin and presents superb quality and extreme rarity. And an attractive price.

Examining a 1930 Penny is a three-step process.

The first step is to look at the coin in the flesh using just the naked eye.

A truly great coin will always look good to the unaided eye. And this coin is impressive!

The reverse has strong definition in the upper and lower scrolls. The fields are highly reflective with even, handsome chocolate brown toning. The edges are solid. The inner beading which is invariably weakly struck between the 4 o'clock and 6 o'clock area is crisp and well defined. The legend 'COMMONWEALTH OF AUSTRALIA' and date '1930' are powerful.

Moving the obverse through the light you see the complete lower band of the crown. You also observe the strong design details of the monarch's robes and the minimal wear to the king's eyebrow and moustache. We also comment on the highly reflective obverse fields, the handsome chocolate brown toning and the solid edges.

The second step is to take up a magnifying glass and examine the coin in detail.

The eye glass re-confirms what we have seen to the naked eye ... and much, much more.

We have graded this coin Good Very Fine which indicates that there are four sides of the central diamond and six crisp pearls, and vestiges of that elusive seventh and eighth pearl. The oval to the left of the central diamond is intact.

The final step is to re-visit the coin with the naked eye.

Just to make sure that you have taken everything in. Start with the edges and work your way in .... inner beading, upper and lower scrolls, fields. And on the obverse, start with the edges, then the portrait and the fields. 

The final assessment of this 1930 Penny confirms that it is a great coin and passes our three-point assessment with flying colours.

(Scroll to the end of the page to view enlarged photographs of this 1930 Penny. )

There are many reasons why collectors love the 1930 Penny and one of the prime reasons is its financial reliability.

It is a solid coin. And this genuinely counts. In fact, we would go one step further and say that over the long term the 1930 Penny has probably been one of our most consistent and trustworthy numismatic performers.

The second reason is that the 1930 Penny is as Australian as you can get. Struck during the Great Depression, the 1930 Penny is the nation’s glamour coin and is unrivalled for popularity, enjoying a constant stream of demand unmatched by any other numismatic rarity.

The third reason is that the 1930 Penny is sought after at all quality levels and all dollar levels. It is in many respects an industry phenomenon, for in a market that is quality focused the 1930 Penny is keenly sought irrespective of its quality ranking. And growth over the mid to long term has been significant across all quality levels. Well circulated (Fine) 1930 Pennies were selling for £50 in the 1950s. A decade later, by decimal changeover, the coins were fetching £255 ($510). By 1988, Australia's Bicentenary, a Fine 1930 Penny had reached $6000. The turn of the century saw 1930 Penny prices move to a minimum of $13,000. Twenty years later prices have more than doubled. And with a 100th anniversary just six years away, the push to acquire Australia’s favourite Penny is really on.

Commonwealth of Australia 1930 Penny struck at the Melbourne Mint, featuring the portrait of King George V designed by Bertram Mackennal.

Price $70,000

Good Very Fine

Downies sale by private treaty to A. White, August 1999 • Sale by private treaty to current owner, September 2010

This coin is graded Good Very Fine which indicates that there are four sides of the central diamond and six crisp pearls, and vestiges of that elusive seventh and eighth pearl. The oval to the left of the central diamond is intact.

This coin will appeal to the buyer that is looking for a high quality 1930 Penny, one that stands out from the rest. And this coin is most certainly a stand-out piece.

It stands out not just because of its technical grading. But because it has miraculously escaped harsh treatment during its time in circulation. And that’s a total fluke!

Collectors seek out the 'seldom found'. And collectors seek out the exquisite. American collector, Louis Eliasberg, found what he was seeking in this 1852 Adelaide Pound.

The Eliasberg Adelaide Pound promises and delivers an experience. The coin is legendary. Choice Uncirculated, exceptional design definition and lustrous satin fields.  Its state implies that the coin must have been put aside soon after minting. And indicates that for the coin’s lifetime, every owner has absolutely known that it was special.

The person who acquires this Adelaide Pound will take their place in history, permanently associating themselves with both the coin and the famous Eliasberg name.

The Eliasberg Adelaide Pound was part of the Louis E. Eliasberg Collection, a name and collection so esteemed in numismatic folklore that it adds a special cachet to any coin associated with it.

A portion of his Collection was auctioned in New York in 2005 by American Numismatic Rarities in conjunction with Spink. The Eliasberg Adelaide Pound was so highly regarded that it was featured as one of the cover items on the catalogue. (A copy of the catalogue will be provided.)

The auction made history, with the Eliasberg Adelaide Pound establishing a new world record price.

The first gold coin for the nation was struck at the Adelaide Assay Office on 23 September 1852. We know it today as the 1852 Adelaide Pound. It is our most popular gold coin, and sought after at all quality levels.

Collectors have a choice when it comes to acquiring an 1852 Adelaide Pound. An example from the first production run. Or the second run. The nation’s first gold coin was produced over two production runs.

The same obverse design was used throughout, featuring the legend 'Government Assay Office Adelaide', a crown and the date '1852'. But each production run used different reverse dies, the first using a die with stylish lettering and an elegant beaded inner circle. (Coins struck from the first die are known as Type I Adelaide Pounds.) The second die had plain lettering and a crenellated inner circle. (Coins struck from the second die are known as Type II Adelaide Pounds.)

Irrespective of the production run, the Adelaide Pound is a scarce coin. Forty examples survive today of the Type I, with perhaps two hundred and fifty of the Type II. So which coin to choose. The answer is an easy one and for most collectors it is the Type II.

Because of their extreme rarity, Adelaide Pounds minted in the first production run, require a substantial financial outlay. In excess of $100,000 for quality examples with the top Type Is commanding $400,000-plus.

Purely from a financial perspective, most collectors opt for coins from the second production run in the knowledge that for $105,000 you can acquire one of the very best Type II Adelaide Pounds. In the case of this coin, number two in the pecking order!

The 'Eliasberg' 1852 Adelaide Pound Type II

Price $105,000

Choice Uncirculated, exceptional design definition, fully lustrous, satin fields and in our view, number 2 in the pecking order of Adelaide Pounds.

When you evaluate a coin, start at the edges and work your way in. And with this Adelaide Pound,

• on the obverse, the edge denticles are strong all the way around as is the legend 'Government Assay Office Adelaide'

• the cross on the orb at the top of the crown is sharp

• the fleur de lis strongly three-dimensional and the pleats in the cloth at the back of the fleur de lis are fully struck-up, crisp with no softness

• on the reverse, the edges are solid all the way around, the fields super, super-reflective

Why this Adelaide Pound is just so good!

History records that disaster struck during the early stages of the minting of the 1852 Adelaide Pound. Die-maker and engraver Joshua Payne later confirmed that staff had struggled to find the correct pressure levels to exert on the dies to execute a strong overall design.

In the early stages of production, pressure was applied to the edges to ensure that the denticles and legend were strong. The downside to this decision is that excessive pressure applied to the edges cracked the reverse die, forcing an interruption to minting.

The upside to this decision is that Adelaide Pounds struck during the first production run have almost picture-perfect edges and beautiful strong denticles.

Relaxing the pressure on the dies in the second production run, lengthened the die usage but created its own shortcomings Once the pressure was reduced on the edges, the perfection that was achieved in the denticles and legend in the first run of coins was simply not achievable in the second run.

Adelaide Pounds from the second production run notoriously have weakness in the edges and weakness in the legend, most particularly in the Assay Office area. And this is noted in about nine out of every ten examples. But, the crown design will invariably be well executed with flattened areas mainly due to circulation. (Flattened areas may also reflect die usage and be due to a poor strike.

This Type II 1852 Adelaide Pound has a beautiful balance of strong edge denticles, strong legend and a brilliantly struck crown. It is the exception to those most frequently sighted.

Australia entered a new era post world war I. A carefree population keen to lessen the ties with Great Britain, establish a strong national identity and forge its own way.

Consideration was given to introducing a new currency, the Kookaburra Square Penny, a unique Australian coin that featured our native bird.

It was one of the instruments the Government believed would give us a greater awareness, and appreciation, of all things Australian.

To maximise impact, a new shape was planned with the move from circular to square. And bronze was to be discarded and a new metal taken up, that of cupro-nickel.

The Kookaburra Pennies that remain today are relics of our past, their engaging shape and design stirring up strong collector sentiment. And with such limited numbers available, collector thirst is also driven by their extreme rarity.

- 1919 -

- 1920 -

- 1921 -

Acquiring a single 1919 Kookaburra Square Penny will test a collector's resolve. The waiting time might be several years. A collector will have to stay committed to the task to acquire a 1920 Kookaburra Square Penny for they are extremely rare.

The wait may even be longer.

And that's not to make light of the effort required to procure a top quality 1921 Kookaburra Penny. A Type 11 might be sighted once each year.

This set is a unique opportunity for one buyer. It is highly historical and tells the story of the Kookaburra Square Penny. A three-year program conducted at the Melbourne Mint that started in 1919, continued into 1920, and finished in 1921, the aim to produce a uniquely Australian coin.

The set of three is captivating, each coin individually sensational and handpicked for quality. And yet each coin is different, in their obverse and reverse designs and their toning, which ultimately reflects the diversity of the series.

Great force had to be exerted on the Spanish Silver Dollar to punch out the central hole. As a consequence, many Holey Dollars are found slightly dished and distorted, the hole weirdly off-centre.

Some Holey Dollars will show a 'crazing' of the metal, once again due to the force of punching out the hole.

Other Holey Dollars show a weakness in the striking of the original Spanish Dollar with areas of the design softly executed. This is particularly so of silver dollars struck during the Ferdinand VII (1808 - 1809) era at the Mexico Mint.

With this Holey Dollar, the silver dollar flan is flat and has not been distorted by the cutting process. And the coin does not exhibit any metal fatigue. The strike of the original silver dollar is strong.

This is simply a fabulous Holey Dollar, the even shape allowing the design details to be displayed to the max.

The aesthetic appeal and the rarity of this Holey Dollar are enhanced by the alignment of the obverse counter-stamps.

The counter-stamps 'New South Wales'' and '1813' are in vertical alignment with the date of the silver dollar, '1804'.

Only a handful of Holey Dollars exhibit such alignment.

A study of the surviving Holey Dollars reveals that Henshall's application of the counter-stamps was wildly random, that the holed dollar was not placed in a particular position between the dies. And it obviously didn't matter which side of the holed dollar was facing up.

Speed was of the essence. Precision was simply not required which is why the counter-stamps of most Holey Dollars are 'all over the shop'.

We also comment that the counter stamps are a high quality Good Very Fine indicating that, as an 1813 Holey Dollar, the coin underwent minimal circulation.

1813 Holey Dollar created from a Charles IV Spanish Silver Dollar that was issued at the Mexico Mint in 1804.

$195,000

Original coin • Very Fine, the surfaces highly reflective with subtle grey toning. Counter stamps • Good Very Fine. 

Strong design details, glossy fields, the flan not distorted by the minting process, no metal fatigue.    

Of particular note, the vertical alignment of the obverse counter-stamps - 'New South Wales' and '1813' - with the date '1804'. This is the optimum position of the counter-stamps and was rarely ever achieved by mint master, William Henshall.

The reverse counter stamps show the 'H' for Henshall between two twigs of leaves.

Australians just love their coppers. And within the penny and halfpenny series, collector preference is for those coins that were struck in limited mintages, that are especially rare in today's market.

Pennies such as the illustrious 1930 Penny and the revered 1925 Penny, rare dates that were struck in mintages of 1500 and 117,000 respectively.

And the 1923 Halfpenny, also a rare date, the mintage believed to be 15,000.

The Penny and the halfpenny have a connection when it comes to values.  

When the penny has a rare date status, it influences that value of its proof counterpart. But it also influences the value of its proof halfpenny counterpart.

The very reason why the Proof 1930 Penny and the Proof 1930 Halfpenny are seen as numismatic greats and are highly valued. So too, the Proof 1925 Penny and the Proof 1925 Halfpenny.

Proof coins are prestigious. And proof coins are extremely rare. And if they have been carefully preserved, proof coins are spectacular to look at with pristine edge denticles, a highly detailed design set against a backdrop of superb, smooth and highly reflective fields.

Under careful examination, proof coins will also show striations in the fields, a by-product of the intensive die preparation involved in proof coining. And the edges will be highly polished.

Place a proof coin next to an Uncirculated coin and the differences are clear, even to the naked eye.

Proofs command respect and they command admiration.

Ask collectors why they pursue proof coins over circulating currency and the prestige of owning a proof coin is most likely at the top of their list. It's the euphoria that comes with owning something that looks spectacular and that very few other people can ever possess.

In some respect, proof coin collectors are playing it smart because the inherent rarity of proof coinage provides a level of assurance that the market will never be inundated with examples, protecting their investment.

The Proof 1930 Halfpenny, a Coin of Record struck at the Melbourne Mint.

Australian Pre-decimal Coins that were struck to a proof or specimen finish - and not destined for collectors - are technically referred to as Coins of Record.

The term, Coin of Record, is to a large extent self-explanatory. It is a coin that has been minted to put on record a date. Or to record a design.

What is not self-explanatory is that Coins of Record were created as presentation pieces produced to a proof or specimen finish. And were struck in the most minute numbers satisfying the requirements of the mint rather than the wants of collectors. Forget the notion of striking ten thousand proofs as collectors are accustomed to today. Let's talk about striking a total of ten coins ... or maybe less!

For today’s collectors the Coins of Record offer a wonderful link to the past and are extremely rare, two reasons that make them so popular.

There was no commercial angle in the production of Coins of Record. The mints were not out to make money from the exercise. Quite the reverse, striking a proof coin in our pre-decimal era was a very labour intensive (and hence costly) exercise that would have dented the mints annual budget quite considerably. The prime reason why so few coins were struck.

In the striking of a proof coin, the mint’s intention was to create a single masterpiece, coining perfection. Perfection in the dies. Wire brushed so that they are razor sharp. Perfection in the design, highly detailed, expertly crafted. Perfection in the fields, achieved by hand selecting unblemished blanks, polished to create a mirror shine. Perfection in the edges to encase the design … exactly what a ‘picture frame does to a canvass’.

A proof is an artistic interpretation of a coin that was intended for circulation. A proof coin is meant to be impactful, have the ‘wow’ factor and exhibit qualities that are clearly visible to the naked eye. A proof coin was never intended to be used in every-day use, tucked away in a purse. Or popped into a pocket.

So, what happened to these Coins of Record? Where did they go? And if they were struck by the mints for their own use, how did they get into collector's hands?

In the main, Coins of Record ended up in the mint’s own archives, preserving its history for future generations. Any coins that were surplus to requirements may also have been sent to a museum or public institution.

Coins of Record were also put on display at public Exhibitions. The two known examples of the Proof 1866 Sovereign and Proof 1866 Half Sovereign were especially struck to exhibit as ‘products of New South Wales’ as part of the Colonial Mints display at the International Colonial Exhibition of 1866 and the International Exposition in Paris, 1867. They were discovered in London in the early 1970s.

It is noted that many of the overseas mints have over time sold off Coins of Record that they considered excess to their requirements allowing them to come into collector's hands. The Royal Mint South Africa sold off several Australian gold proofs in the 1990s

Four reasons why the Proof 1927 Canberra Florin is so popular.

1. Genuine rarity

While Melbourne Mint records show a mintage of 400, it is generally accepted that the issue did not sell-out and a significant number of proofs were re-melted after failing to find a home. According to respected author Greg McDonald, the actual figure could be as low as 150. The proofs were gifted to politicians and sold to the general public (without a case), thereby introducing the possibility of mishandling. So for the buyer that makes quality a priority, the waiting time for a really nice Proof 1927 Canberra Florin can be a minimum of two years. Perhaps even longer.

2. Historically important

The Proof Canberra is Australia's first commemorative coin, minted for one of the most significant events in Australia’s journey to nationhood. The opening of the nation’s first Parliamentary buildings in the national capital in 1927. The coin is distinguished by a unique obverse featuring an enlarged bust of King George V, designed by Sir Edgar Mackennal.

3. A design that resonates with all Australians

In an article published in the CAB Magazine, February 2007, author and respected numismatist Vince Verheyen declared the Proof 1927 Canberra Florin "arguably Australia's most attractive predecimal silver coin". We can only but agree. The reverse of 'Old Parliament House' was designed by George Kruger-Gray.

4. Value and appreciating value

Two things are clear when you analyse auction realisations of the Proof 1927 Canberra Florin over the past forty years. The first thing you notice is that the coin is extremely scarce. On average one pristine Proof Canberra Florin appears at auction every few years. The second thing we noticed was that the coin has enjoyed solid price growth. In the 1980s, a Proof 1927 Canberra Florin was selling for approximately $1000 - $1500 at auction. Two decades later, top quality Proof Canberra Florins are commanding in excess of $20,000.

What makes this Proof Canberra Florin so good?

Use the naked eye and move the coin through the light and allow the light to reflect off the fields.

• On both obverse and reverse this Proof 1927 Canberra Florin has superb highly reflective fields. It is as though you are looking at a mirror.

• On the obverse and reverse there is a just a hint of golden toning on the periphery. Magnificent!

• The edges are intact and solid.

• Under a magnifying glass we note, the striations, between the 'ONE' in the legend and the oval containing the date 1927, are strong. This tells us is that the dies were well prepared, brushed with a wire-brush to ensure they were sharp.

• Vertical striations on the obverse are similarly distinct and strong.

• Heavy striations equates to well brushed dies. Well brushed dies equates to a razor sharp, three dimensional coin design. And the three parliamentary steps are present!

• The fields are impressive. Amazing for a coin struck nearly a century ago. Our comment here is that this coin's former owners have always respected and cherished its quality for its state of preservation is remarkable.

This Proof 1927 Canberra Florin is an impressive coin.

The 1852 Adelaide Pound holds a very special place in Australia's history as the nation's first gold coin.

It is a classic Australian numismatic rarity, as is the 1813 Holey Dollar and 1813 Dump, the Square Penny and the 1930 Penny.

Its status as Australia’s first gold coin ensures that it will always be sought after and strengthens its investment value.

Its investment value is also enhanced by its rarity for we estimate that perhaps two hundred and fifty examples are available to collectors, across all quality levels.

Examining an Adelaide Pound is a three-point process.

1. Start off by looking at the coin in the flesh using just the naked eye. A genuinely nice coin will always look good to the unaided eye.

This coin is lustrous on both obverse and reverse. The legend GOVERNMENT ASSAY OFFICE is strong. Collectors should know that most Adelaide Pounds struck with the second die show extreme weaknesses in the legend. This coin is an exception to those we normally see. There are no obvious defects or gouges. It's an overall well balanced coin with great eye appeal.

2. Take up the magnifying glass.

The eye glass re-confirms what we have seen with the naked eye ... and much more. The coin has undergone minimal circulation, the highpoints of the design, the fleur de lis and the cross on the orb on the crown showing a slight touch of usage. There are no unsightly gouges or marks. As gold is a soft metal, the rigours of circulation have treated most examples harshly. Not so with this coin!

3. And lastly, take another look with the naked eye just to make sure that you have taken everything in.

The final assessment of this Adelaide Pound is that it is a great coin and passes our three-point assessment with flying colours. It is indeed a coin you would be proud to show family and friends.

The discovery of gold in 1851 is one of the most extraordinary chapters in Australian history, transforming the economy and society and marking the beginnings of a modern multi-cultural Australia. It also led to the creation of the nation’s first gold coin, the 1852 Adelaide Pound.

Word of the discovery of gold spread like wildfire across the country and overseas. First was the rush to Ophir near Bathurst in early 1851 and the even greater rush to Ballarat in August of the same year.

Then in quick succession came the rich finds throughout central Victoria, Queensland, Northern Territory and finally the bonanza in Western Australia.

No colony was immune from the dramatic effects of the discovery of gold.

Those that were rich in gold. And those, such as the colony of South Australia, that was devoid of the precious metal. Its economy collapsed due to the mass exit of manpower lured to the Victorian gold fields.

Adelaide lost almost half its male population within the first three months of the first big gold strike near Ballarat. Also gone its cash resources. About two-thirds of the available coin travelled out of the state.

As the two main pillars of national activity, labour and capital, literally walked out, prices plummeted, property plunged, mining scrip nosedived, and Adelaide took on the air of a ghost town, with row after row of tenantless houses.

The cash-strapped banks pressed their debtors for cash payments, but as most debtors were merchants with their capital tied up, disaster beckoned.

By late 1851, genuine panic gripped those who had stayed behind as the total and complete insolvency of Adelaide looked real.

Out of desperation the Government offered a reward of one thousand Pounds for the discovery of a gold field in South Australia.

None was found.

South Australia’s problems were further compounded because there was no method available to convert the gold nuggets the diggers had brought back from Victoria into a form that could be used for monetary transactions.

Calls were made for the establishment of a Government mint and the issuing of a coinage, but this was viewed as being in direct violation of the Royal Prerogative. Coining was beyond the powers and privileges of any local authority.

On 9 January 1852, over 130 leading businessmen and a further 166 merchants met with Lieutenant Governor Sir Henry Young and pressured him to start up a mint to convert the raw gold into coin. The intention was that the mint would purchase gold from the Victorian fields at a higher price than paid in Melbourne.

There are some doubts as to who suggested an Assay Office and stamped bullion. What is known is that the establishment of a similar office had been introduced into the legislature of New South Wales in 1851. It was defeated mainly due to the opposition of the banks.

Although Young realised that only Royal approval could initiate a move to establish a mint, he was also aware that the survival of the colony was at stake.

He found a loophole in the legislation. While the Governors were not allowed to assent in her majesty’s name to any bill affecting the currency of the colony, an accompanying paragraph that stated … “unless urgent necessity exists requiring such to be brought into immediate operation”. The “urgent necessity” clause paved the way for the South Australian Legislative Council to pass the 1852 Bullion Act.

A special session of the Legislative Council was convened on the 28 January 1852.

An enactment was proposed that allowed the Assaying of gold into ingots; the Council seeking to deflect Royal disapproval by striking gold ingots rather than sovereigns.

The ingots were intended to form a currency that would back the banknote issues of the banks as if they were gold coin. And be used by the banks to increase their note circulation based on the amount of assayed gold deposited.

The Act was as daring, as it was contentious, in that it made the banknotes of the three South Australian banks a Legal Tender, under specified conditions.

It drew condemnation from the eastern states. Melbourne’s Argus condemned the Act as dangerous, radically unsound and interfering with the natural laws of commerce. But these protests were motivated by self-interest, as South Australia posed a real threat to the Victorian economy by re-directing capital and labour away from the Victorian gold fields.

The Bullion Act No 1 of 1852 has a record unique in Australian history. A special session of Parliament was convened to consider it. Parliament met at noon on the 28 January 1852. The Bill was read and promptly passed three readings and was then forwarded to the Lieutenant Governor and immediately received his assent.

It was one of the quickest pieces of legislation on record, with the whole proceedings taking less than two hours.

Thirteen days after the passing of the Act, on 10 February 1852, the Government Assay office was opened. Its activities were supported by a state government initiative to provide armed escorts to bring back the gold from the Victorian diggings.

The Government Assay Office Adelaide was effectively Australia's first mint, be it unofficial.

The Bullion Act had a lifetime of only twelve months. By the time the legislative amendments were passed to enact the production of gold coins, the Act had less than three months to run. As a consequence, only a small number of Adelaide Pounds were struck (24,768) and very few actually circulated.

When it was discovered that the intrinsic value of the gold contained in each piece exceeded its nominal value, the vast majority were promptly exported to London and melted down. That goes a long way towards explaining why so few Adelaide Pounds survive today (approximately 250) and why the highest-quality examples command such high prices.

This Proof 1936 Florin was not struck for collectors as part of any mass-marketing sales campaign. It was struck for the mint's archives and the privileged few. Because it was a specially arranged striking of presentation pieces, only a handful were struck.

Australian pre-decimal coins that were struck as proofs - but not destined for collectors - are technically referred to as Coins of Record.

The term, COIN OF RECORD, is to a large extent self-explanatory. It is a coin that has been minted to put on record a date. Or to record a design.

What is not self-explanatory is that Coins of Record were struck to PROOF or specimen quality as presentation pieces. And were struck in the most minute numbers satisfying the requirements of the mint rather than the wants of collectors. Forget the notion of striking ten thousand proofs as collectors are accustomed to today. Let's talk about striking a total of ten coins ... or in the case of this coin a lot less!

For today’s collectors the Coins of Record offer a wonderful link to the past and are extremely rare, two reasons that make them so popular.

There was no commercial angle in the production of Coins of Record. The mints were not out to make money from the exercise. Quite the reverse, striking a proof coin in our pre-decimal era was a very labour intensive (and hence costly) exercise that would have dented the mints annual budget quite considerably. The prime reason why so few coins were struck.

In the striking of a proof coin, the mint’s intention was to create a single masterpiece, coining perfection. Perfection in the dies. Wire brushed so that they are razor sharp. Perfection in the design, highly detailed, expertly crafted. Perfection in the fields, achieved by hand selecting unblemished blanks, polished to create a mirror shine. Perfection in the edges to encase the design … exactly what a ‘picture frame does to a canvass’.

A proof is an artistic interpretation of a coin that was intended for circulation. A proof coin is meant to be impactful, have the ‘wow’ factor and exhibit qualities that are clearly visible to the naked eye. A proof coin was never intended to be used in every-day use, tucked away in a purse. Or popped into a pocket.

So, what happened to these Coins of Record? Where did they go? And if they were struck by the mints for their own use, how did they get into collector's hands?

In the main, Coins of Record ended up in the mint’s own archives, preserving its history for future generations. Any coins that were surplus to requirements may also have been sent to a museum or public institution.

Coins of Record were also put on display at public Exhibitions. The two known examples of the Proof 1866 Sovereign and Proof 1866 Half Sovereign were especially struck to exhibit as ‘products of New South Wales’ as part of the Colonial Mints display at the International Colonial Exhibition of 1866 and the International Exposition in Paris, 1867. They were discovered in London in the early 1970s.

It is noted that many of the overseas mints have over time sold off Coins of Record that they considered excess to their requirements allowing them to come into collector's hands. The Royal Mint South Africa sold off several Australian gold proofs in the 1990s.

It is also noted that influential collectors, and those that moved in the same circles as the Deputy Master, did occasionally receive a proof coin. Most likely in exchange for a coin of the same face value, so that the mint's 'books' would be balanced.

Beautifully toned 1813 Dump with a strong legend, crown and date 1813.

Beautifully toned 1813 Dump with strong under type and vestiges of the H for Henshall

The Holey Dollar and Dump are the nation's very first coins, both pieces cut from a Spanish Silver Dollar. The man charged with the responsibility of creating our coinage was William Henshall, a convicted forger.

Henshall began the coining process by punching a hole into a Spanish Silver Dollar. The central disc that fell out of the hole was over stamped with a value of fifteen pence, the date 1813, a crown and the issuing authority of New South Wales. And was known as the Dump.

There are many aspects to this Dump that make it a 'must' to consider.

1. A coin to enjoy and show around.

Struck with the A/1 dies, the crown is classically well-centred. The design details are three dimensional  ... and by this we are referring to the crown with its fleur-de-lis and pearls, the legend New South Wales, the date 1813 and on the reverse, the value Fifteen Pence.

2. Henshall's claim to fame - the elusive 'H'

William Henshall declared his involvement in the creation of the Dump by inserting an 'H' into some (but not all) of the dies used during its striking. Its presence is highly prized. As you would expect with a coin that is well circulated, the H has lost its definition but there are vestiges of Henshalls defining mark between the 'FIFTEEN' and the 'PENCE' on the reverse.

3. Oblique milling

Notice the oblique milling around the edge. It is fully evident. (The edge milling was used as deterrent against clipping whereby the unscrupulous shaved off slivers of silver, reducing the silver content of the Dump. And making a small profit on the side.)

4. And the pièce de résistance ... evidence of the original Spanish Dollar design, an aspect that really counts.

While the Holey Dollar clearly shows that it is one coin struck from another, in a less obvious way so too can the Dump. The design detail of the original Spanish Dollar from which this Dump was created is evident on the reverse above the word 'FIFTEEN' and below the word 'PENCE'.

We refer to it as the under-type and it is not always present. Its existence re-affirms the origins of the Dump and is highly prized.

A Spanish Silver Dollar, the coin from which Australia's first currency was created will be gifted with this 1813 Dump. (See photo below)

The Melbourne Mint’s iconic 1916 cased specimen set stands out as the first Australian made presentation for collectors of the Commonwealth's coinage.

There are a few things to note about the 1916 cased specimen set.

First up the royal-blue case. The case is a stamp of authority indicating that the coins are presented today as they were originally intended more than a century ago. The integrity of the set is maintained by the case.

Respected numismatist and author, Dr Vince Verheyen's take on the royal-blue case supports our view that it is an integral element of the presentation. “It cannot be over-emphasised that the set must be supplied with its original case.”

The second is that the coins tone. The toning to all the coins, again gives authenticity to the set. And given the different mirror and matte finishes of the four coins,  collectors should not expect the toning to be identical, a point again emphasised by Verheyen. He also added ... "I would be suspicious of any bright white specimens given their age.”

The third point to note is storage for over the years we have been asked if the coins should be stored in the case?

The coins will be housed in archival quality (museum quality) coin holders and presented in a quality velvet lined tray, thereby preserving their investment value. The royal blue velvet case will be separate to the tray. 

Two dates are integral to the Melbourne Mint's history and the nation’s numismatic heritage. The first is its year of opening, '1872'. The second is '1916', when the Melbourne Mint expanded its gold coining repertoire and commenced striking silver coins for the newly formed Commonwealth of Australia.

The mint did not produce any presentation pieces to celebrate its opening in 1872, a missed opportunity for today's collectors.

That numismatic shortcoming was addressed in 1916 when the Deputy Master of the Melbourne Mint authorised the production of sixty cased Presentation Sets, a portion earmarked to sell to collectors with a 2/-3d premium over face value. Others were gifted to dignitaries.

Natural attrition has taken its toll on the original mintage and only seven cased presentation sets have been observed at auction over the last half-century.

Each coin in this 1916 Presentation Set was assessed by Coinworks, and Dr Vince Verheyen as part of his research into the article on the 1916 cased Specimen Set. (See below)

We note the similarities in toning between this set and that held in the Melbourne Mint Museum.

1916 Specimen Florin -

A stunning coin with superb colours. The obverse a gold / green. The reverse with blue on the periphery and purple on the interior.

The florin is superbly struck and has fabulous detail in all the design elements with a lovely smooth matte surface on both obverse and reverse. A highly reflective coin in the light.

Striations are noted on the reverse.

1916 Specimen Shilling

That so much can be written on a one shilling coin reflects the meticulous nature of the strike and the beautiful aging process that it has enjoyed.

This coin is intriguing in the light. It is superbly struck with mirror surfaces between 4 o'clock and 8 o'clock in the shield area and below 'Advance Australia'. (This phenomenen was noted by Vince Verheyen in his study of the 1916 Specimen Sets.)

The reverse reveals multiple striations (raised parallel lines) across the fields; with those between the scroll and date and behind the emu strongly evident.

Precise edge denticles, a high rim and beautiful antique toning on both obverse and reverse characterises this shilling.

1916 Specimen Sixpence

While the florin in a 1916 Set receives most of the accolades (because of its size), the sixpence in this set almost steals the show. It is glorious.

Proof-like with beautifully mirrored fields. Very well struck, the denticles on the reverse rim are unusually strong. And magnificent colours.

Heavy striations on both obverse and reverse are noted.

Beautifully mirrored fields on the obverse with microscopic striations confirming careful preparation of the dies.

1916 Specimen Threepence 

A full brilliant mirror finish with handsome blue and pink toning.

The coin is extremely well struck, noticeable in the strength of strike in the star, shield and scroll. Strong striations confirm careful preparation of the dies at the Melbourne Mint.

Early in November 1915 the Melbourne Mint was formally instructed to commence preparations for the striking of the Commonwealth's silver coinage. The silver was sourced locally from the Broken Hill mines.

It is noted that prior to 1915, the nation's silver coinage had been minted overseas at the Royal Mint London and the Heaton Mint in Birmingham.

Towards the end of November 1915, dies for the set of four denominations were sent from London.

Six weeks after the dies were shipped, the Governor of Victoria Sir Arthur Stanley K.C.M.G, struck the first circulating 1916 shilling. It was logical that the Melbourne Mint would begin striking silver coinage with the shilling denomination given its similar physical size to their familiar sovereign.

The florin was struck almost immediately after, sixpences by the middle of 1916 with the threepences finally later in the year. More than 11.5 million silver coins were released into circulation that year.

The Melbourne Mint's inaugural striking of Australia's Commonwealth coins was a momentous occasion in minting circles. The Deputy Master of the Melbourne Mint therefore decided to create a Presentation Set to record the occasion.

Each presentation set was comprised of the four silver coins of florin, shilling, sixpence and threepence, each featuring the Melbourne mint mark ‘M’ below the date 1916 and minted to specimen quality.

The set of four was housed in a handsome, velvet-lined royal blue case that had been locally sourced.

The availability of the four-coin specimen presentation set was confirmed in November 1916 when Le Souëf recorded an entry of sixty specimen sets in the Mint Museums’ cash accounts with a face value of £11 5/-.

While records show that 60 sets were produced, sixteen were sold, collectors charged 6/- for a cased set.

A further 25 sets out of the original mintage were presented to dignitaries and politicians with the precise fate of the remaining sets unknown.

What we do know is that many of the cases have been lost and many of the sets have been broken up and sold as individual coins.

We also know that others were accidentally used as circulating coins, their value irreparably reduced through wear.

Over the past 50 years we have sighted only seven sets housed in their original case of issue.

There are some key indicators that collectors look out for when making a numismatic purchase. And all of this is weighed up against the price.

How rare is the coin for the rarer the better. The date is critical. The more important the date, the better. And consideration is given to the effigy. George V? George VI or Elizabeth II? And the quality?

And the final deliberation ... how popular is this area of the market. In a supply and demand market, popularity is important.

This trio of 1955 Proof Penny, 1955 Proof Halfpenny and 1956 Proof Penny has the lot! Extremely rare, sought after  effigy of the late Queen Elizabeth II, top quality and an extremely popular collecting series.

Matched pair of 1955 Proof Penny & 1955 Proof Halfpenny struck at the Perth Mint

Price: $35,000

Superb FDC

Ex Dr Vincent Verheyen

Mintage 301 pairs

The passing in 2022 of Queen Elizabeth II has again highlighted the role of coinage in charting the course of history. This Proof 1955 Penny and Proof 1955 Halfpenny were struck with the effigy of the late Queen Elizabeth II.

1956 Proof Penny struck at the Perth Mint

Price: $20,000

Superb FDC

Ex Dr Vincent Verheyen

Mintage 417

This 1956 Proof Penny was also struck with the effigy of the late Queen Elizabeth II.